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Folk revival [ edit ]
Tom Dooley Billboard Hot 100 chart in 1958 and provided a template for the nascent "collegiate 🫰 folk" movement, which itself was one of the foundation stones of the mid-1960s folk rock boom. An excerpt from the 🫰 Kingston Trio's hit recording of the traditional folk song " Tom Dooley ". The song reached #1 on theHot 100 🫰 chart in 1958 and provided a template for the nascent "collegiate folk" movement, which itself was one of the foundation 🫰 stones of the mid-1960s folk rock boom. Problems playing this file? See media help.
The Searchers were influential in popularizing the 🫰 jangly sound of the electric twelve-string guitar.[42][43] Many musicians in the collegiate and urban folk movements were already familiar with 🫰 acoustic twelve-string guitars via the music of folk and blues singer Lead Belly. However, the Searchers' use of amplified twelve-strings 🫰 provided another example of how conventional folk elements could be incorporated into rock music to produce new and exciting sounds. 🫰 The Beatles' lead guitarist, George Harrison, also influenced this trend towards jangly guitars in folk rock with his use of 🫰 a Rickenbacker twelve-string guitar on the Beatles' mid-1960s recordings. This relatively clean, jangly sound—without distortion or other guitar effects—became a 🫰 cornerstone of folk rock instrumentation and was used in many American folk rock records made during 1965 and 1966.[citation needed]
A 🫰 subgenre of folk rock that combines traditional Celtic instrumentation with rock rhythms, often influenced by a wide variety of pop 🫰 and rock music styles.[127] It emerged from the electric folk music of the late 1960s and was pioneered by bands 🫰 such as Horslips, who blended Gaelic mythology, traditional Irish music and rock.[118] The British singer-songwriter Donovan was also influential in 🫰 developing Celtic rock during the late 1960s, with his albums The Hurdy Gurdy Man, Barabajagal, and Open Road, the latter 🫰 of which actually featured a song entitled "Celtic Rock".[128][129]
Sweers, Britta (2004) Electric Folk: The Changing Face of English Traditional Music 🫰 . Oxford University Press
